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Delcy Morelos Unveils Evocative Earth Installation at London’s Barbican

Colombian artist Delcy Morelos has created a monumental installation, "Origo," at the Barbican Centre, utilizing over 30 tonnes of soil and clay to evoke the primal qualities of a mother's womb.

News Published 17 July 2026 3 min read Mara Ellison
Delcy Morelos's "Origo" installation at the Barbican Centre, featuring a large mound of earth and clay.
Lower Thames Crossing plan map.jpg | by National Highways (Crown copyright – "free of charge in any format or medium, under the terms of the Open Government Lic | wikimedia_commons | OGL 3

Colombian artist Delcy Morelos has unveiled “Origo,” a substantial new installation at London’s Barbican Centre that delves into themes of origin, earth, and the primal experience of a mother’s womb. The work, a striking visual and sensory exploration, utilizes over 30 tonnes of soil and clay, meticulously constructed by hand.

The Barbican Centre, known for its commitment to presenting diverse and thought-provoking artistic expressions, provides a fitting backdrop for Morelos’s powerful statement. “Origo” is not merely an object to be observed but an environment to be experienced, inviting visitors to engage with the raw materiality of the earth.

Maternal Womb Inspiration

Morelos has shared that the core concept behind “Origo” is deeply rooted in the qualities of a mother’s womb. This inspiration translates into an immersive environment characterized by darkness and the tactile presence of earth. The sheer volume of soil and clay used—over 30 tonnes—underscores the artist’s intention to create a visceral connection to natural elements and fundamental life experiences. The 24-meter-wide installation aims to evoke a sense of primal comfort and introspection for those who encounter it.

Hand-Crafted Scale

The creation of “Origo” was a labor-intensive process, with the artist and her team building the installation by hand. This deliberate approach emphasizes the connection between human effort, natural materials, and the final artistic outcome. The scale of the work, spanning 24 meters in width, commands a significant presence within its gallery space, prompting contemplation on the relationship between the human body, the environment, and the origins of life.

Materiality and Texture

The choice of soil and clay as primary materials is central to Morelos’s artistic practice. These elements connect the installation directly to the earth, carrying inherent cultural and historical resonances. The texture and scent of the soil contribute to the multi-sensory experience of “Origo,” encouraging a deeper, more intuitive engagement with the artwork. This focus on materiality aligns with broader trends in contemporary art that explore sustainable practices and the inherent qualities of natural resources.

Context at the Barbican

The Barbican Centre’s programming frequently features artists who push the boundaries of their media and engage with significant social and environmental themes. Morelos’s “Origo” fits seamlessly within this context, offering a powerful reflection on origins and the elemental forces that shape existence. The installation serves as a potent reminder of our intrinsic connection to the natural world, even within the urban landscape of London.

Key facts

Feature Detail
Artist Delcy Morelos
Installation Origo
Location Barbican Centre, London
Materials Soil and clay
Scale Over 30 tonnes of material, 24 meters wide
Core Concept Qualities of a mother’s womb, origin, earth
Publication Dezeen
Published Date July 15, 2026

This exhibition offers Paionia7 readers an opportunity to consider how artists are engaging with natural materials and profound biological themes within architectural and exhibition spaces. It highlights the potential for art to create immersive environments that foster introspection and connection to the earth, relevant to discussions in sustainable design and the broader impact of art on urban cultural landscapes.

Source: Dezeen, https://www.dezeen.com/2026/07/15/delcy-morelos-barbican-origo/

Source

Dezeen Original publication: 2026-07-15T07:00:41+00:00