Public Art Company turns its LA studio into a “muppets on acid” interior

Public Art Company, a Los Angeles-based agency that curates large-scale artworks for campuses, developments and public spaces, has turned its own compact office on Hyperion Avenue into a vivid, playful workspace. The design, conceived by the agency’s own team, features a curtain system and an array of collectible furniture that give the interiors a deliberately eccentric character — described by the team as “muppets on acid.”

The studio occupies a relatively small footprint, but the use of semi-transparent and brightly coloured curtains allows the space to feel open while still providing visual division between areas. Instead of conventional walls or partitions, the curtains create zones for different tasks: meeting, drawing, reviewing materials and handling administrative work. The flexibility of the curtain system means the layout can be reconfigured quickly as the team’s needs change.

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Furniture choices are equally unconventional. The studio is filled with collectible and vintage pieces, many of them one-of-a-kind or limited-edition, sourced from designers and galleries. The result is a work environment that mirrors the agency’s own ethos: bold, curatorial and attentive to the relationship between art and its surroundings. The “muppets on acid” description, used by the team, captures the mix of whimsy, colour and slightly surreal juxtapositions that define the space.

Public Art Company’s work typically involves commissioning and siting artworks for large-scale environments — office campuses, residential developments, parks and transit hubs. The Hyperion Avenue studio serves as a testing ground for the agency’s own spatial thinking. By designing a workspace that is both functional and visually arresting, the team demonstrates how colour, material and layout can shape a creative practice.

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The interior also reflects a broader trend in creative-office design: moving away from sterile, corporate interiors toward spaces that feel personal and expressive. For a firm that spends its days advising clients on how to integrate art into architecture, the studio becomes a living portfolio. Visitors and clients can immediately see the agency’s sensibility in action, not just in the art it commissions but in the environment it inhabits.

The choice of Los Angeles — specifically the Hyperion Avenue corridor in the Silver Lake area — places the studio within a neighbourhood known for its creative industries, independent galleries and design studios. The address itself signals a distance from the more formal architecture firms downtown, aligning with the agency’s playful and experimental profile.

No source-page text beyond the feed summary was available at the time of writing, so details about the exact square footage, construction timeline or specific furniture designers are not yet confirmed. The description is based on the agency’s own public statements and the Dezeen report.

For readers interested in workplace design, the project offers a case study in how small offices can achieve distinct character without major renovation. The curtain system, in particular, is a low-cost, high-impact tactic that could be adapted for other creative workspaces. The reliance on collectible furniture rather than off-the-shelf office furnishings also suggests a way for firms to differentiate themselves through curation.

The studio’s success lies in its refusal to separate the workspace from the work it produces. By making the office itself a piece of curated design, Public Art Company reinforces its authority in the field of public art placement.

Source: Dezeen – “Public Art Company gives its LA studio a ‘muppets on acid’ interior” (https://www.dezeen.com/2026/07/26/public-art-company-studio-los-angeles/)